This Isn't Your Typical 90's Era Techno / IDM Revisionist View
by Hieroglyphic Being

— Released 11th November 2016 on Technicolour

Earlier this year Jamal Moss aka Hieroglyphic Being released “The Disco’s Of Imhotep” album via Ninja Tune’s Technicolour imprint. Drawing on the energy and spirituality of Sun-Ra, Moss conducted his machines to create a raw, pulsating and meditative work that focused as much on the dancefloor as on the synapses. It was universally praised: “Sweaty and ecstatic, elevated and pure…” (Pitchfork - 8.0); “Frequently sublime” (Crack Magazine); “Fires the mind and soothes the so...

Earlier this year Jamal Moss aka Hieroglyphic Being released “The Disco’s Of Imhotep” album via Ninja Tune’s Technicolour imprint. Drawing on the energy and spirituality of Sun-Ra, Moss conducted his machines to create a raw, pulsating and meditative work that focused as much on the dancefloor as on the synapses. It was universally praised: “Sweaty and ecstatic, elevated and pure…” (Pitchfork - 8.0); “Frequently sublime” (Crack Magazine); “Fires the mind and soothes the soul...” (The Quietus) and earned Moss a thoroughly deserved” Album Of The Month” spot in Mixmag.

Never one to rest on his laurels, Hieroglyphic Being returns to Technicolour on 11th November 2016 with an essential 12” two-tracker paying homage to “The Natives” of Chicago’s nascent and fertile electronic music scene in the 90s. Fiercely visceral and channelling the same “rhythmic cubist” approach, ‘This Is 4 The Rave Bangers’ and ‘HOME 95’ are proffered as “Reinterpretations or a Revisionist’s retrospective of the early 90's electronic music based in Chicago during the rise of Rave Culture from a sonic anthropological narrative”.

This Isn't Your Typical 90's Era Techno / IDM Revisionist View
by Hieroglyphic Being

— Released 11th November 2016 on Technicolour

Physical

12" (TCLR020)
SALE! £6.40 £8.00
 

Digital

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MP3 (TCLRDNL020)
£1.30
 
16-bit WAV (TCLRDNL020W)
£2.10
 

Physical

Digital

12" (TCLR020)
SALE! £6.40 £8.00
SAVE TO SPOTIFY

Add this release to your Spotify account now

You will be asked to login with your Spotify Account

Read our Terms & Conditions about this service here

MP3 (TCLRDNL020)
£1.30
16-bit WAV (TCLRDNL020W)
£2.10

Bundles

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Tracklist

  • 12"
  • MP3
  • 16-bit WAV
  1. 1
    This Is 4 The Rave Bangers
  2. 2
    HOME 95
  3.  
    Play All (2)
  1. 1
    This Is 4 The Rave Bangers
  2. 2
    HOME 95
  3.  
    Play All (2)
  1. 1
    This Is 4 The Rave Bangers
  2. 2
    HOME 95
  3.  
    Play All (2)

Earlier this year Jamal Moss aka Hieroglyphic Being released “The Disco’s Of Imhotep” album via Ninja Tune’s Technicolour imprint. Drawing on the energy and spirituality of Sun-Ra, Moss conducted his machines to create a raw, pulsating and meditative work that focused as much on the dancefloor as on the synapses. It was universally praised: “Sweaty and ecstatic, elevated and pure…” (Pitchfork - 8.0); “Frequently sublime” (Crack Magazine); “Fires the mind and soothes the so...

Earlier this year Jamal Moss aka Hieroglyphic Being released “The Disco’s Of Imhotep” album via Ninja Tune’s Technicolour imprint. Drawing on the energy and spirituality of Sun-Ra, Moss conducted his machines to create a raw, pulsating and meditative work that focused as much on the dancefloor as on the synapses. It was universally praised: “Sweaty and ecstatic, elevated and pure…” (Pitchfork - 8.0); “Frequently sublime” (Crack Magazine); “Fires the mind and soothes the soul...” (The Quietus) and earned Moss a thoroughly deserved” Album Of The Month” spot in Mixmag.

Never one to rest on his laurels, Hieroglyphic Being returns to Technicolour on 11th November 2016 with an essential 12” two-tracker paying homage to “The Natives” of Chicago’s nascent and fertile electronic music scene in the 90s. Fiercely visceral and channelling the same “rhythmic cubist” approach, ‘This Is 4 The Rave Bangers’ and ‘HOME 95’ are proffered as “Reinterpretations or a Revisionist’s retrospective of the early 90's electronic music based in Chicago during the rise of Rave Culture from a sonic anthropological narrative”.